How long ago was the movie made?
The original version was started in 1990, but finished in 1991
while I was working for GE. The current version (I called it a 'Special
Edition') was done in 1995. They're basically the same, just snazzier
graphics and letterboxed transfer on the SE--which I did before I knew
Lucas was planning on his SEs!
What was the inspiration for crossing over the two movies?
My friend and mentor, the late J.J. Johnson. He was a kind of
video guru in Southern fandom. He was the educational media
coordinator for the University of Tennessee, and this was (as he put it)
a brain fart he had one day while we were having tea in his office. We
always sat around and talked film and cartoons. He was killed not long
after that, so he never saw it finished, but the piece carries a
dedication to him.
Is the film soley Star Wars footage with Duck Dodgers lines, vis-versa, or a mix of both?
It's completely the audio of the Duck Dodgers short. the visuals
are mostly footage from the three Star Warsfilms, except for the credits and
two other shots. I did my own version of the alphabetical planets,
plus recomposited the last shot of Porky and Marvin hanging together
over a new widescreen background.
All of Daffy's lines are "done" by Luke Skywalker (the lip-sync is
close, but not great, although sometimes it's so spot-on it's
eerie). Threepio covers Porky Pig's lines, Dr. I.Q. High is Ben Kenobi, and
Marvin the Martian is, of course, Darth Vader. His reveal is one of
the biggest laugh-getters.
Which film's story does your film adhere closer to (if at all)?
Continutity? Hah! Seriously, though, it bounces from film to film at
a whim--whatever matches the dialogue or sound, and seemed funny.
How long is the film?
Same as the cartoon--about seven minutes.
How long did it take to edit, and what kind of equipment did you use?
How long, I don't remember exactly anymore. The original was done
in fits and starts over a period of a year. At the time, I was bouncing
between school and the co-op job at GE in North Carolina, so I mainly
fiddled now and then. The SE was done in my spare time (usually in
the evenings) over a two-week period.
The original was edited from VHS on a both 3/4" and professional
SVHS systems. The current version was edited on footage transferred
from laserdisc to 1" videotape, and edited on 1" using the AmiLink
system with a Video Toaster. It looks really clean, as there was very
little generational loss in this dubbing and editing.
I read on your site that you made a batch of Babylon 5 rock videos--did
Quack come before those?
Originally, yes. I think it influenced Joe Straczynski in his
hiring me to do the videos, as had seen it and quite a few of the other
SF themed music videos I had done for con dance parties before. I had
already done the first Babylon 5 video ("Danger Zone") and was discussing with
Joe what the second one would be when I edited the SE.
Were you involved in convention culture before you made Quack? If not,
did Quack sort of enter you into it?
I got involved in conventions in 1986 with J.J.'s prodding at a
little local con here in Knoxville. J.J. then put me on his media
staff for the 1986 Worldcon in Atlanta. We did one of the first major
convention networks, with live telecasts, a daily convention news
show. We converted two hotel rooms into a miniature studio. It was a
major undertaking, but we had a ball doing it. We helped with a lot of
the Magnum Opus Cons after that, until JJ died.
Have you ever considered doing a sequel? (Weren't there two Duck Dodgers
cartoons?)
Probably won't do a sequel, although people have tried to get me to
do something similar with Babylon 5 and another WB cartoon. Besides, the
later Duck Dodgers cartoon wasn't as good in my opinion, or considered a
classic as the first was.
Where did you get the cartoon from--taped off TV or a professional
video?
The cartoon was from a commercial VHS tape. I only needed the
audio for the most part, so that was fine.
Where did you first show it and what was the reaction?
I honestly don't remember. I remember showing it to the Wednesday
Night Pizza gang, and they all loved it. I showed it at local
conventions. Mike Jittlov got ahold of it after the 1991 DragonCon
(it showed there) and called me a fellow wizard--which was pretty
heady at the time. Still is!
There were tapes floating around for a while after that. I had
sort of gotten out of fandom until Babylon 5 came along. We showed it at the
1995 Big Bang convention in Chicago, and then the response was
overwhelming. And then in 1996, I got brought up on stage at a Vulkon
in Baltimore to a standing ovation and "We're not worthy!" chants from
the producers of another short, K'thelma and K'louise. That was
weird.
Lately, about the only convention I get time for is DragonCon.
People beg me to show it during my Babylon 5 presentation there, so I do. And
I've got some big fans. Kevin J. Anderson still writes me to tell me
what his visitors and guests say about it (he apparently shows to all of
them), and I know Mark Hamill and Tony Daniels have got copies. I hear
Lucas has seen it, but I've never talked to him or met him to know for
sure.
Do you have any upcoming screenings?
I'm a guest at DragonCon in Atlanta this year again. My Babylon 5 panels
have gotten so popular, they put us in main programming, so I'll be
showing it there. Maybe during intermission at the masquerade, but
that's still iffy.